F9666 Sofa with Curved Ottoman End

The F9666 is a light grey sofa composed in two parts — a long, straight run floating on a slim dark rail, and a rounded, backless ottoman module angled at its end like a comma at the close of a sentence. The pairing is deliberately asymmetric: formal bench on one side, soft open pod on the other, together making a seating composition rather than a standard L.

Design & Character

The main run is drawn tight — piped seat cushions in a crisp row, slim track arms, stacked loose backs — and lifted on a shadow-thin base that makes its full length read as a floating bar. Then the geometry relaxes: the end module curves, drops its back, and turns a few degrees outward, opening the composition toward the room. That small rotation is the design's wit; the sofa points two ways at once, and the arrangement never looks parked.

Materials & Finish

A pale cloud-grey weave covers both elements, fine enough in texture to keep the piping crisp and the curves smooth, dressed with cushions in slate and patterned blue-greys. The rail and feet beneath run near-black, drawing the silhouette's baseline. Light fabric held on a dark line — the airiest formula in the sofa family.

Made for Composed, Light-Filled Rooms

The F9666 suits rooms that favor air over mass: bright apartments, gallery-toned living rooms, spaces with good floors worth seeing under the furniture. The ottoman end works three jobs — chaise for the lounger, perch for the guest, and a sculptural counterweight that lets the sofa sit mid-room without a wall. Rotate the pod and the composition refreshes without moving the sofa.

Styling & Pairing

Keep its companions linear and dark: an angular black-framed table, slim lamps, a geometric rug in blue-greys as staged here. The patterned cushions it wears are the texture budget — add nothing louder. Beside the collection's darker pieces, the F9666 is the exhale.

Why This Piece

Symmetry furnishes; asymmetry composes. The F9666 is for rooms arranged with a designer's eye — one straight line, one curve, placed just off-axis. The angle of that end pod is the detail to play with at a showroom: swing it ten degrees and watch the whole arrangement change its mind.